News


One Drawing Challenge 2019
Aug
26
to Sep 6

One Drawing Challenge 2019

Architizer’s One Drawing Challenge

Architizer’s One Drawing Challenge

The Unending Square has entered the first voting stage of the One Drawing Challenge Competition by Architizer, which would last from 26th August to 6th Sept 2019.

To visit The Unending Square over the One Drawing Challenge: https://bit.ly/2NzCpqu
The viewer could vote for multiple entries and once per drawing per day.
Top 100 voted work will go into stage 2 to be judged by the jury panel.

I was encouraged by multiple university's professors in participating in this competition. During the registration, the voting wasn’t written as part of the judging process. Anyway, I think the good thing about the current year format is that all the 484 global entries are all uploaded and available for all to see. As a student, I would appreciate the ability to experience and explore all the singular yet powerful architectural drawings and attempt to learn and understand the logic behind all the individual drawing.

I guess everyone would like to see how far this project and the drawing could go, to see when the unending project would eventually end. I do think it’s worth it to find out the limit of exposure and reach this project has, from an academic, institutional and individual point of view.

I could recall back then I was often asked to push my limit into creating a design that would score as high as possible under the three metric of “Newness, Uniqueness, and Otherness”.

“The Unending Square” Submission Entry for One Drawing Challenge

“The Unending Square” Submission Entry for One Drawing Challenge

The questions I asked myself during the construct of this representational material during my study year are:

-What is the limit of a single architectural drawing could do?

-To what extent should an idea be reduced to be within the comprehension of the viewer? Who is the viewer? Does it really matter?

-Which aspect of a design illustration should be compromised? Abstraction? Shock value? Aesthetic? Composition? Elements? Content? Clarity? Narration? Impression? Visibility?

-How much should a drawing be up for open interpretation?

-Why does human innately avoid incomprehension and do not necessarily see the beauty of the unknown/undefined element?

-How do we combat the increasingly short attention span of the upcoming generation? Is that an issue or that itself would become the human context of the digital age? What are their consequences?

-How does one possibly consolidate work of countless hours, weeks, months, year time to be contained among panels and 10-15minutes time of presentation? How much does it matter on how the audience perceives your work?

-Why are human obsessed in creating alienating language and jargon that creates exclusivity and elitism disguised in the name of knowledge creation?

-How much should a student’s decision making in work creation be justified and affected by the academic context that one sits in? I suppose it should be all okay as the general intention of a student and an institution is to gain exposure to maximize potential monetary gains, right? What would be the side effect if all school and all student were to focus entirely on that?

The Public Gallery of One Drawing Gallery

The Public Gallery of One Drawing Gallery

My questions about social media content:

-Why do we continue to support the many parties that glorify visual drawing representation that much that primarily only serving their agendas?

-Perhaps it is only contextual to human to design in a way that maximizes viewing pleasure? or is it not?

-“Louder! Shinier! Tastier!” What is the repercussion of us continue placing the importance of visual representational over actual content-making?

-How do we illustrate and express the value of the other equally important or pressing metrics beyond visual pleasure?

-How do we make actual content sells?

-How do we avoid misleading people especially the younger generation into thinking that fame and the arbitrary number of likes/followers equals to mastery?

-How much faith should we have that the viewer would have their individual critical thinking to assess content seen online without being affected by the various social “evidence” and fully relying on peer validations?

-why do we continue to give power to such volatile and subjective elements to create permanent elements that would have continued and lasting effect and impact? Especially in this current world with ever-changing of perceptions and definitions (highly manipulable) with the increasingly overwhelming power that we’ve given to the people over the architect/designer?


For more information of the competition or to the public gallery of the One Drawing Challenge, check out https://onedrawingchallenge.secure-platform.com/a/gallery?roundId=1

Instagram Feed

Gallery Block
This is an example. To display your Instagram posts, double-click here to add an account or select an existing connected account. Learn more
View Event →
Share
Master Thesis Exhibition 2019
Aug
17
9:30 AM09:30

Master Thesis Exhibition 2019

The Unending Square is featured and being exhibited in the Master Thesis Exhibition 2019 organized by Pertubuhan Arkitek Malaysia.

It was the third time after being graduated that the project is being presented in a formal setting. The feeling of presenting a one-year-old project as though it was created in what felt like yesterday made me realized how much my perception towards the project has changed.

A1 2.jpg

I was grateful that all the parts and pieces of the project along with the thoughts are recorded and stored online that enable me to reassess the project from time to time. I wonder what would I think about this project in my 40s? 60s? 80s? (if I live that long?)

It was great knowing that PAM (Pertubuhan Arkitek Malaysia) is starting to select and compile graduate and thesis work. I hope they would continue the effort in archiving the Malaysian works from student graduate work, post-graduate, and architect in Malaysia while at the same time keeping them openly and publicly accessible for all to gain value from. The state of PAM might be far from perfect as compared to other more developed nation, but like every other entity, everything needs to be built little by little from all the help it could gain from the community that it serves.

The continued loss of local talent overflowing to the overseas country is staggering, to say the least. After participating in the event, it is illuminating for me to know that the committee and community are continuing their effort in finding ways to further improve the local industry and educational system. I am looking forward to seeing what’s yet to come for the Malaysian architecture industry.

For more information of the event or on the list of selected thesis among Malaysian Universities in the year 2018, check out http://www.pam.org.my/mte2019/
(although some student and their works are not fully uploaded yet at the moment)

Instagram Feed

Gallery Block
This is an example. To display your Instagram posts, double-click here to add an account or select an existing connected account. Learn more
View Event →
Share